Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Bad Company – Bad Company – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell. Peter Grant, who managed the rock band Led Zeppelin, also managed Bad Company until 1982.
Bad Company – Bad Company – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
The self-titled debut album was recorded at Headley Grange, Hampshire, in Ronnie Lane’s Mobile Studio. The album reached No. 1 on the Billboard 200 in the U.S, and No. 3 on the U.K. Albums Chart, spending 25 weeks on the U.K. charts. The album has been certified five times platinum in the U.S., and became the 46th-best-selling album of the 1970s. The singles “Can’t Get Enough” and “Movin’ On” reached No. 5 and No. 19 on the Billboard Hot 10.
Bad Company – Burnin’ Sky – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Bad Company – Desolation Angels – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
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The vocal passion of "Rock 'n' Roll Fantasy" became the album's gold-selling single, and the album as a whole takes on a more polished feel than its predecessor Burnin' Sky. "Gone, Gone, Gone," "Lonely for Your Love," and "She Brings Me Love" work best in vocalist and rhythm guitarist Paul Rodgers' favor, and fans did prove their loyalty, pushing the album to the No. 10 mark in the U.K. and to No. 3 in the U.S.
Bad Company – Run With The Pack – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
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Released in early 1976, the title track of Bad Company's third album "Run With The Pack" is, what one critic described as, "a male-bonding type of song" that frontman Paul Rodgers was inspired to write about the group's non-stop touring adventures.
"Run With The Pack" is notable for its string arrangement, which Rodgers said he had in mind from the outset. "I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song."
Boz Scaggs – Boz Scaggs – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Boz Scaggs’ self-titled album, released in 1969, is an iconic and pivotal record in his career, marking a shift in his musical direction to incorporate elements of soul, R&B, and showcasing his musical versatility.
Departing from the Steve Miller Band after a two-album stint, Boz Scaggs found himself on his own but not without support. Rolling Stone publisher Jann Wenner, his friend, helped him sign with Atlantic Records and the label had him set up shop in Muscle Shoals, recording his debut album with that legendary set of studio musicians, known for their down-and-dirty backing work for Aretha Franklin and Wilson Pickett, among many other Southern soul legends.
Buffalo Springfield – Buffalo Springfield – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Buffalo Springfield – Buffalo Springfield – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Buffalo Springfield – Buffalo Springfield Again – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
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Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.
Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.
Charles Mingus – Blues & Roots – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
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AllMusic marks Charles Mingus' Blues & Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music "somehow didn't swing enough." For this album Mingus turned to the earthiest and earliest sources of black musical expression — blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus' most joyously swinging outing.
