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Art Taylor – Taylor’s Wailers – Analogue Productions (Prestige 7117) 180g Vinyl

£55.00
In 1956 drummer Art Taylor formed a group called Taylor’s Wailers. Donald Byrd and Charlie Rouse were members of the working group that debuted at The Pad, a Greenwich Village nightclub on Sheridan Square booked by Bob Reisner, the man who had run the legendary Open Door Sessions. In 1957 Taylor recorded the Wailers for Prestige, adding the alto saxophone of Jackie McLean to the front line. Two of the highlights are the Thelonious Monk compositions, “Well, You Needn’t” and “Off Minor,” with arrangements by Thelonious himself. One track, “C.T.A.,” by Jimmy Heath, is from another session featuring John Coltrane backed by Red Garland, Paul Chambers, and Taylor, a potent Prestige studio combination in those days. There have been many distinguished drummer-leaders in jazz. One expects their groups to be rhythmically exciting. Taylor’s Wailers are no exception to this swinging heritage.

John Coltrane – Coltrane – Analogue Productions Prestige 180g Mono Vinyl

£49.95
"Another fine-sounding Prestige mono, Coltrane crackles with spontaneous intensity. Al Heath's drum triplets spark "Bakai," as Coltrane's throaty tenor introduces the repetitive, Arabic-influenced theme. "Violets For Your Furs" is sort of precursor to Coltrane's fine Ballads album (1963), whlle a string of mostly up-tempo tunes follow." Sonics = 4/5; Music = 3.5/5 — Wayne Garcia, The Absolute Sound, January 2013

The Soulful Moods of Gene Ammons – Analogue Productions Prestige (Stereo) 180g Vinyl

£49.95
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3 All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom Tip-on jackets on thick cardboard stock One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995