Arturo Michelangeli – Concerto For Piano – The Lost Recordings 180g Vinyl
For decades now pianists and other musicians have acclaimed the recording of this concert, only available on video. It was of utmost importance to us to publish it as a record. While we were looking for the video recording in the BBC archives, we stumbled upon the analog stereo tape that had fallen into oblivion. We used it to bring this emotion-filled, historical evening back to life.
Dave Brubeck – Live At The Kurhaus 1967 – The Lost Recordings 2LP 180g Vinyl
At the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That's how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in Europe.
Dave Brubeck Quartet – Debut In The Netherlands 1958 – The Lost Recordings 2LP 180g Vinyl
With the support of the American State Department, the Dave Brubeck Quartet, including new members Joe Morello and Eugene Wright, began a major tour of Europe early in 1958. Their first concert in the Netherlands was held on 26 February in the legendary Concertgebouw Hall in Amsterdam, usually reserved for performances of classical music. Since 1951 and the collaboration between Dave Brubeck and Paul Desmond, the band had gained a stunning reputation. In 1954, Dave Brubeck was featured on the cover of Time magazine. Rumor has it that Duke Ellington knocked on Brubeck’s hotel door to congratulate him. Brubeck is said to have responded, “It should have been you.” He dedicated one of his most famous pieces, “The Duke”, included on this album, to his fellow pianist.
Dexter Gordon / Donald Byrd – The Berlin Studio Session 1963 – The Lost Recordings 180g Vinyl
180-gram 45 RPM Remastered from the original analogue tapes New tip-on gatefold jacket printed in Italy Pressed by Marciac Workshop Pressings, France 16-bit album download included
By 1963, Dexter Gordon and Donald Byrd had become two of the leading lights of the Blue Note label, a gleaming showcase and an experimental laboratory for the evolutions and revolutions taking place in the small world of Afro-American jazz stemming from hard bop. Curiously, however, it was not until the autumn of that year that the two musicians made a recording together.
Dizzy Gillespie Live At Singer Concert Hall 1973 – The Lost Recordings 180g Vinyl
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders.
Duke Ellington – Berlin Jazz Festival 1969-73 – The Lost Recordings 180g Vinyl
On November 8, 1969, on the stage of the great hall of the Berlin Philharmonic, the Duke, whose portrait is the poster of the Jazztage Festival which celebrates his 70th birthday, slowly joined his piano. His orchestra is at the orders, adorned with a gleaming section of which some have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. The legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.
Erroll Garner – The Unreleased Berlin Studio Recording 1967 – The Lost Recordings 45rpm 180g Vinyl
Erroll Garner – A heavenly sense of magic
Erroll Garner was revered by both his peers, who ranked him among the foremost of the purest, most spontaneous geniuses that jazz has ever given us, and the general public, who intuitively recognized him as one of the magicians of the golden age, along with Duke Ellington, Count Basie and Ella Fitzgerald, whose gifts could transform the suffering and humiliation of Afro-American life into the rhythm and outpouring of joy rather than anger and resentment. Forty-five years after his death, Garner, with his dazzling style that made such a radical break from existing trends, remains an enigma in the history of twentieth-century popular music. He is still unique and cannot be pinned down.
Oscar Peterson Trio – Live At Concertgebouw 1961 – The Lost Recordings 2LP 180g Vinyl
It is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as "the Ineffable". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording.
Philip Catherine & Nicolas Fiszman Live At The Berlin Jazzbühne Festival 1982 – The Lost Recordings 180g Vinyl
Sarah Vaughan – Live At Laren 1975 – The Lost Recordings 2LP 180g Vinyl
First publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the "Divine" use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him.
Sarah Vaughan – Live At The Berlin Philharmonie 1969 – 2LP 180g Mono Version
"This is an absolutely mesmerizing Vaughan performance of 20 smartly chosen and sequenced tunes — some standards in 1969 and some then new and now standards — intimately mic'd that puts her startlingly and transparently in front of you between the speakers. ,,, the credits (read) cut by Kevin Gray using the original master tapes, lacquers processed at QRP and pressed in Germany on 180-gram vinyl. And that's how it sounds! Highly recommended." — Music = 10/11; Sound = 9/11 — Michael Fremer
